The book’s sweeping scope takes our heroes from the scorching sands of desert kingdom Ibal to the wild snows of the Jydi mountains to the north and the story’s propulsive feel and steadily rising tension make the simple act from walking from one town to another more interesting than it has any right to be. The bulk of Blade Breaker follows Coryane and friends on an extensive journey to the far corners of the Allward, as they search for Spindles and fight to close them. Having successfully closed one of the Spindles (a magical portal to another realm) that is threatening to destabilize and destroy the Allward, Coryane al Amarat, descendent of Old Cor, must pick up her magical sword (known as a Spindleblade), gather her loyal Companions (an immortal, an assassin, a squire, a warrior, a forger, and a witch) and begin the search for the rest of the portals. Second installment Blade Breaker is very much an in the middle of things sort of book: Readers are immediately dropped back into the events that concluded the first novel with little to no exposition or catch-up, and the stakes simply keep rising from the story’s first page to its last.

Her new Realm Breaker series feels like a natural evolution for Aveyard as a writer-as a whole, it’s a generally more mature story with a massive cast of characters, a setting with its own complicated history and geopolitical problems, and a forthright adventure/quest premise that nevertheless leaves room for plenty of shades of gray within its lines. (And whether you loved or hated the ending of its final novel War Storm, you have to hand it to her for her willinness to take risks.) Her work is known for its intricate plotting, lush worldbuilding, compelling romances, and utter willingness to break with many of the traditional expectations of this genre. (And in the world of fantasy, that means they almost always end in a cliffhanger.) It’s a challenging balance to strike and novels that are “in the middle of things” in this way can often be unfairly criticized for external narrative factors that aren’t entirely within the scope of the stories they’re tellingĪuthor Victoria Aveyard is no stranger to writing doorstopper fantasy: her Red Queen series spans a quartet of five hundred plus page tomes and balances a trio of major POV characters.

After all, middle books are technically the part of the series that doesn’t really have a definitive beginning or end. They have to keep an established story moving at a brisk pace while giving readers just enough tantalizing new plot or character developments to keep them interested without answering all their questions or spoiling the series ending.

Blade breaker victoria aveyard